Tuesday, 14 December 2010
Ancillary
Wednesday, 8 December 2010
REVAMP.... AGAINNNNN
Wednesday, 17 November 2010
Setting Ideas
Tuesday, 9 November 2010
Letter of Permission
This is the letter he used:
Dear Copyright Holder,
We are A level students and we are writing to request your permission to use one track from the latest album by Sum 41 entitled Underclass Hero.
The track we wish to use is 'Walking Disaster', track 2 on the album.
With your permission, this track would be used in our current A-level Media Studies
project which involves creating a music video for a popular music track, as well as
producing an album and a magazine advert for the artist.
If we received your permission, this track would ONLY be used in an educational
context and be viewed by our media class, our teacher and the OCR exam board
moderator. It would NOT be released to a large audience or uploaded to any public
video websites.
The artist and your company would of course be fully recognised throughout pre-
production and the final video itself. A copyright notice, with wording supplied by you can be included in the records of the project. If this is required, please send full
details.
We look forward to hearing from you.
Regards,
Alex Newcombe and Sophie Brown
Monday, 8 November 2010
Main Character
Character Ideas
Ideas TAKE 2
I’m sure everything’s the same/ Mom and Dad both in denial/ An only child to take the blame.'
Tuesday, 2 November 2010
Yet Again
Here is what we filmed and what it looks like once we edited it all together. We like to think of it as a learning curve!
Wednesday, 20 October 2010
Equipment
Monday, 11 October 2010
Clothing for the Band
After a bit of research I found some items of clothing similar to the clothes hat our band will hopefully be wearing. I asked Glenn what sort of clothes they wore to gigs so I could get rough idea of what they will be comfortable wearing and this is what I found.
Wednesday, 6 October 2010
Ideas
Tuesday, 5 October 2010
A Crash Course in Collision
Rory Bevis - Guitar/back up vocals
Glenn Rice - Drums
Dan Smith - Bass Guitar
Bass drum close up
Close up of cymbal
Close up of guitar, angled facing up towards the end of the guitar.
Same view of other guitar
Medium shot of Dan
Close up of Rory with mic (in stand).
Nick close up
High angled shot of the band playing
Eye level shot of the band playing
Eye level shot of Nick singing
Over the shoulder shot of Glenn playing the drums
(Unclean Lyrics) Close up of mouth
Shot of Nick in the close, Rory in the far, switch of focus, during when they are both singing
When the band are being very lively, we would use longer shots.
We plan to develop these into better ideas with more shot angles and develop the ideas of camera movement. Also once we know where we're setting the video, it will be easier to determine what shots we can use, as well as the lighting. Also, whilst filming, we will have some spur of the moment ideas for different shots, and the band will also have a say in what they want us to film.
Homepage Ideas
Monday, 4 October 2010
Idea Setting
Wednesday, 29 September 2010
Video Analysis Geri Halliwell
The video begins with a track and tilt of Geri Halliwell wearing a short vest and brief pants, walking into a room towards a table of serious looking judges. Halliwell is holding a record in her hand. The opening sequence is intertextually similar to 'Flash Dance' suggesting that Geri Halliwell is there for a dance performance. The Mise En Scene also supports this image using iconography, such as the leg warmers she wears.
The camera lingers on one of the people at the table as Halliwell walks past them and a look of shock crosses his face. The position of the people suggests that they are judges, reinforcing the dance performance look.
The next scene shows her walking past one of the female judges towards a record player, another look of disgust from the judges shows the viewers that the judges are doubtful of her performance.
The audience is left with no doubt that Geri Halliwell is performing a dance sequence when she puts a record on.
The genre and setting of the video seems like an extract from a musical. Possibly Billy Elliot or Fame. The audience are unable to see the performers face until 30 seconds into the video. This lack of recognition is integral in the video as it builds up the tension, already established with the presence of the diegetic sound at the beginning of the sequence. Anticipation is continuously created by a series of fragmented body images as she begins to dance.
A music video is a vehicle for stars to promote themselves and Geri Halliwell uses this well. She recently released a Keep Fit DVD. The constant view of Geri's new figure is used to promote the effectiveness of her DVD.
Alex has done a few video analysis too, most of them are performance based. So have a quick look here and here.
Video Ideas
Tuesday, 28 September 2010
Lyrics
Is this your idea of killing time?
You're crushing bones with words
And to make matters worse you're still some kind of friend to us.
A man of profound history you stole away our dignity
But we're still alive, and it's all because of you.
Maybe we just understand each other,
A bit too perfectly
But now you're shouting at me through closed doors this time
Surely it's a remedy, but it's so sad to say
You're nothing to me.
Sound alarms, hold the phones, it's time we take over the town
This view has never been so clear
And we're making our mark
MAYBE WE JUST... understand each other,
A bit too perfectly
But now you're shouting at me through closed doors this time
Surely it's a remedy, but it's so sad to say
You're nothing to me.
You've had your day, and we're on our feet without you.
You've had your day, and we're on our feet without you.
You've had your day, and we're on our feet without you.
(Without you)
You've had your day, and we're on our feet without you.
You've had your day, and we're on our feet without you.
Wednesday, 22 September 2010
Video Analysis of Scouting For Girls
We hope to include all the members of our band in our video.
The video uses Shallow Focus throughout the video as shown below where the singer is in the foreground and cannot be seen clearly and another band member is in the background in sharp focus.
A Focus Pull is seen and the opposite effect is achieved. I like this effect and hope to use it in our video.
I have also found that the camera rarely stays still when the band is performing, showing pans, tilts and zooms. This matches with the tempo of the track and ends up with a good effect.
RESTART
Monday, 13 September 2010
We Need Actors!
To whomever it may concern,
Our names are Sophie Brown and Alex Newcombe and we will be producing a music video for our A2 (G324) Media Coursework.
We would like to enquire into the possibility of using 2 or 3 of your acting students in our mock music video.
The video will not be broadcasted or shown to the public, however it will be seen buy our fellow peers (for peer marking), our teacher and the examination board.
We would like to keep cost to a minimum as we feel this will give valuable acting experience. The actors will need to be between the ages of 16 and 19 and we will need 2 boys and possibly a girl (we will alert you in the near future whether this will be necessary or not). The actors will have a fair say in what they feel comfortable doing and we will gladly take to account any preconceptions they may have.
We look forward to your reply,
Sophie Brown and Alex Newcombe
Letter of Permission
Dear Sir/Madam/Whomever it may concern/Island Records,
We are writing to ask permission to use the song ‘Little Lion Man’ by Mumford and Sons in our A2 (G324) Media Coursework. It is for the Advanced Portfolio in Media. If we receive permission to use this song we would attempt to create:
- A Music Video for the song
And then two of the following three options:
- A website homepage for our fictional band
- A cover for its fictional release as part of the Digipak (CD/DVD Package)
- A fictional magazine advertisement for the Digipak (CD/DVD Package)
The people used in this video will be unrelated to the band, and the video and other creations will NOT be sold or released to the public on sites such as ‘Youtube’. The only people to see this will be ourselves, our peers (for peer marking) and the examination board.
We eagerly await your reply on the matter.
Yours Sincerely/Faithfully,
Alex Newcombe & Sophie Brown
Problem Solved
Alex admits that he mistook the logo on the privacy policy page for the Record Label for the band. After some major research we then discovered that the record label was in fact Island Records. This left us confused as to who to contact as we now had 2 possible labels. However, whilst looking through the Island Records website we found that Mumford & Sons had only recently been signed by them and that explained why we may have seen 2 different label names. So now we know who to contact, we just have to write the letter and find an address.
Wednesday, 8 September 2010
Permission To Use A Song
So The Planning Begins!
I will be working with Alex Newcombe (his blog is HERE)
We're going to be making an amazing music video... hopefully!
We've also planned to make a website for the band (this will be my side of things) and a cover for the CD (this will be Alex's side).
We've decided on the song 'Little Lion Man' by Mumford and Sons. Alex managed to find that Mumford & Sons are signed to Universal Studios Operations Limited so we're going to draft a letter and send it off to ask permission to use their song.
After we've done that we must:
- Find people who are willing to appear in our video. We need to ensure that they fit the genre and stereotype of the video.
- Find suitable locations and settings for our video. Again we need to find suitable locations to fit the genre.
- Plan and draw up a story board... This will be drawn by me.
- Research the genre of our video to see what makes a video of that genre popular.
Once we've completed all of this, we can begin filming. Yay!